The Main Character Is the Villain

Protagonists are key characters in movies because they advance the plot and provide readers with someone to root for. Unfortunately, antagonists sometimes stand in their way and create compelling story lines with compelling and suspenseful storylines.

The Main Character Is the Villain Chapter 23 exhibits unsavory characteristics that stand against good, as opposed to an anti-hero who exhibits some heroic traits but remains morally dubious.

Character Development

In any story, protagonist and antagonist characters serve as its two primary drivers. While villains may often be depicted as an opposing force to prevent the hero from winning out, their presence can actually add depth and drama to an engaging narrative.

When writing a villain protagonist, it’s crucial to give them a complex personality. Hand Landa from Inglorious Basterds provides an example of such a complex individual; his motivations range from political ideology, personal ambitions, impulsive desires and backstories with intricate details which account for his more infuriating acts.

An effective villain protagonist requires not only an engaging personality but also weaknesses that render them incapable of winning the plot. Be as intentional in selecting these flaws as when creating their strengths – giving a villain something like an extra long limb or annoying laugh can help make them more relatable to readers.

Character Motivation

An effective villain protagonist needs a compelling reason for engaging in evil acts; without this motivation, readers will quickly lose interest and stop caring about them. Character motivation should operate outside of black-and-white framework; people often choose what they perceive to be right even though others perceive it to be bad; to give your villain protagonist some complexity, add moral gray area into their storyline.

Example of this would be having your villain outcast from their community or suffering a past tragedy that motivated them to seek revenge. Altering loyalties or creating warped allegiances are other ways to complicate and make your villain more frightening, while adding obstacles which come between your villain’s heart’s desire and their goals will add narrative tension while making readers care for your protagonist more. These obstacles might come in the form of everyday experiences such as an overprotective father, low wages or hunger or might stem from Maslow’s hierarchy of needs which seeks love or self-actualization among its ranks of needs.

Character Attitude

Many people hold negative attitudes that cast situations, events and relationships in an adverse light, which may make overcoming such resistance difficult. Luckily, our attitudes can be changed for the better – once transformed we may even experience beneficial results!

Real life has its fair share of individuals who cause harm for personal gain or to make their own lives better, who qualify as villains in stories – though these don’t fit into traditional story Villain roles as they lack one or more of four qualities that differentiate an evil villain from regular people.

A classic story Villain typically works against their protagonist and represents an alternative viewpoint, forcing their main character into confronting moral dilemmas. Furthermore, this character must serve as the second-most-important one – otherwise it will seem like all this time was wasted!

Character Decisions

An intriguing villain protagonist can add depth and drama to any tale, while giving readers something different than conventional storytelling. But there’s always the risk that your evil protagonist’s actions might be morally repugnant or offensive; make sure they do not hide behind lies about what their behavior entails; they could commit crimes such as cutting off fingers, or robbing bank vaults, pushing people over without cause, murdering loved ones… Hans Gruber from Die Hard is an iconic example of such a character.

As part of an effective villain protagonist arc, your character should experience a complete change from good to evil – not simply from weakling to corrupt. They should experience tangible losses as their character transforms; be it money, power or belief systems. They could eventually undergo an abrupt Heel-Face Turn at the conclusion of your tale or simply give up their devious ways altogether.


Edgar Wright and Joe Cornish’s script, along with Paul Rudd and Evangeline Lilly’s performances make this story very complex, making for an immersive viewing experience.

Scott Lang is a Robin Hood-esque burglar who agrees to participate in a heist organized by former cellmate Luis and Pym Technologies co-founder Hank Pym, who wants him to wear their suit that allows him to shrink down into the size of an ant, communicating with them to carry out their bidding.

Darren Cross, who forced Hank Pym out of his company and is working to copy the Yellowjacket suit, must rank among Marvel’s most dangerous villains. With emotional instability, extreme daddy issues, egomaniac hubris, and kidnapping Janet van Dyne to raped her for good measure; Cross is truly terrifying!

By Atif Mehar

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